Showing posts with label Silver Clouds. Show all posts
Showing posts with label Silver Clouds. Show all posts

Monday, 25 August 2014

A Story of the Silver Arrows …

I’ve recently corresponded with the Mercedes-Benz Museum Archives, and they very kindly sent me copies of their publication “Magical Moments – 120 Years of Motorsport”.



One of Mercedes-Benz early racing successes, the 1914 French Grand Prix.

There is a great cross-section of their motorsports successes from 1894 till now.


As I read through the publication, an interesting story was featured in relation to the 1934 Grand Prix season.


The AIACR, the controlling body of motor sport in the 1930s, introduced new rules for the 1934-37 Grand Prix seasons:

1.
The weight of the car without driver, fuel, oil, water or tires should not exceed 750 kg.
2. A minimum bodywork width of 850 mm at the driving seat.
3. Free choice of fuel.
4. All races must be over a minimum distance of 500 kilometers.

In the story, it recounts the famous legend of the switch from the traditional and official German white on Mercedes-Benz race cars to the colour silver.





Alfred Neubauer, the Mercedes-Benz racing manager of the time, claimed that the day before the June 3rd, 1934 international Eifel race, they weighed their newly introduced W25 Grand Prix race car, and found that it weighed over the 750kg limit, coming in at 752kg.




The Mercedes-Benz W25 Grand Prix car on it's way to winning the Eifelrennen.

In a flash of inspiration, he had his technicians work overnight to remove the white paint, exposing the beautiful aluminum bodies of these technically advanced racers, bringing them to exactly 750kg, and they won the race. This sparked the legend of the “Silver Arrows”, as the press was to soon label them.


The very successful Mercedes-Benz W25 Grand Prix car.

In the past few years, a few motorsport historians have questioned the credibility of the story.

As I researched my book “Silver Clouds: The 1934 Grand Prix Season”, I have to say that I developed the same doubts.





There are a few facts and insights that I can bring forward:

 1)
In the same year, Auto Union (a merger of Audi, DKW, Horch and Wanderer) presented their rear-engined Grand Prix cars under the same 750kg rules, never in any other colour but silver.

 2)
I find it hard to believe that in the thorough testing their sometimes white-painted W25, that the Mercedes-Benz technicians wouldn’t have weighed the racer well before any actual racing would take place.

 3)
The actual June 3rd, 1934 race was a Formule Libre race, and not under any of the restrictions of the 750kg Formula. In other words, it seems quite implausible that they would work so hard at removing 1kg of paint for an unrestricted race.


With these points, you can still ask, “Why the story then?”


Well, for one point, it features the absolute precision of the Mercedes-Benz technicians and engineers, who considered the race machine only, not such frivolous things as the paint.


It also shows the creative quick-thinking of the legendary Mercedes-Benz race team manager Alfred Neubauer, always the clever strategizer.


Yes, it’s a damn good story, true or not …

Wednesday, 6 June 2012

"Silver Clouds" Book Art Wins Award

The art for my limited edition, self-published book "Silver Clouds: The 1934 Grand Prix Season" has won the Applied Arts Magazine Illustration Award in the category "Complete Book Illustration".
It's a huge honour for me for the art of this book to be recognized.

Sunday, 1 April 2012

Art inspirations ...

Whenever I have self-doubts about why I'm doing my art, I just read a letter like this and it becomes very very clear.

Thursday, 26 January 2012

"Silver Clouds" reviewed in Automobile

Late last year, I sent copy of my limited edition book "Silver Clouds: The 1934 Grand Prix season" to Jean Jennings, President and Editor-in-hief of Automobile magazine to get her impressions.

Just before Christmas, Jean called me to interview me about my book. She asked very good, detailed questions about it, and it was a great interview.

On Tuesday, the March issue came out on the newsstands, and the review was published in Jean's column "Vile Gossip", which is always the last page sign-off of the magazine.

As you can read, the review is wonderful, with Jennings really capturing all the subtle elements and the "raison d'être" of the book.

Now, I'm more eager than ever to start book #2 of my series on a significant year from each Grand Prix decade. This next one will cover the 1986 Grand Prix season.

Thursday, 3 November 2011

My “Silver Clouds” book reviewed …




There is a nice review by
Mark Dixon of my limited
edition book "Silver Clouds:
The 1934 Grand Prix Season"
in the November 2011 issue
of Octane magazine.


Thursday, 26 May 2011

Silver Clouds: The 1934 Grand Prix Season

It was inevitable that my love of drawing would one day lead me to express artistically my passion for Grand Prix racing history.


In researching the racing history of the 1930s, I came across material that captivated me. There were many stories about technological developments, about political manoeuvres, about rivalries between racecar teams, and, above all, about drivers.


In particular, the 1934 Grand Prix season formed a turning point in Grand Prix racing history. Disrupting the ebb and flow of the established racing teams’ fortunes and successes, two new, powerful teams suddenly joined the fray of the 1934 season. These teams would establish clear and total Grand Prix dominance from 1935 to 1939, but their auspicious performances in 1934 did not go without notice.


With the idea of passing on these great stories, I decided to write a little book and provide an illustrated overview of the season, with a focus on the 9 key races and 12 of the people who were part of it.


After months of research, writing, creating art, design, layout and finally, assembly and packaging, my little less than perfect book on the 1934 Grand Prix season is ready and available. It’s published as a limited edition of only 50 copies, signed, numbered and custom wrapped.


It’s been a stimulating exercise of tying it all together, visually and narratively.


I hope that the story, the art and the package will offer the reader a memorable experience.


Please contact me at paul.chenard@hotmail.com if you are interested in purchasing a copy.