The 1961 Formula 1 season introduced new rules, including a 1.5 litre engine capacity. By that time, all the teams had switched to the rear-engined configuration.
Black & white pen&ink (14"x 11), digitally painted, available as a limited edition.
© Paul Chenard 2010 Some teams choose to drag their feet, and protest the engine-capacity changes, but Ferrari started up development by the end of 1960, working from their Formula 2 racers.
In the sketch, designer Carlo Chiti has testing done on the new Ferrari 156 (1.5 litre, 6 cylinder) F1 racer. Assisting him is young engineer Mauro Forghieri, as Enzo Ferrari looks on.
The car was very successful, and Ferrari took the Formula 1 World Constructors Championship, with American driver Phil Hill taking the Formula 1 World Drivers Championship.
The car was very successful, and Ferrari took the Formula 1 World Constructors Championship, with American driver Phil Hill taking the Formula 1 World Drivers Championship.
Black & white pen&ink (14"x 11), digitally painted, available as a limited edition signed by Phil Hill.
© Paul Chenard 2007
The following season was less successful for Ferrari, with the other teams finally catching up. The BRM team (British Racing Motors) took the Championship, with the Drivers’ Championship going to Graham Hill driving the BRM P56 V8.
The following season was less successful for Ferrari, with the other teams finally catching up. The BRM team (British Racing Motors) took the Championship, with the Drivers’ Championship going to Graham Hill driving the BRM P56 V8.
Interestingly, by October 1962, Ferrari's disgruntled employees, stirred up by Mrs. Ferrari in a face-slapping incident, left the company "en masse", lead by Carlo Chiti in the famous "Palace Revolt". Most of them joined him at the ill-fated ATS, including World Champion Phil Hill.
The young Forghieri replaced Chiti as chief of the technical department for racing cars. Under his guidance, Ferrari won four Formula 1 World Constructors Championships; 1964, 1975, 1977, and 1979.
2 comments:
Fabulous, Paul.
How do you find the images that give you the detail? Enzo sitting on the workbench... It seems so true...
takes me right there.
Hi Jeff
Thanks for the feedback.
All my art is referenced from photos ... sometimes from one, or a group.
This is based on a photo from Louis Klemantaski, an image that I've always found intriguing. There is so much story to tell here ... from just one image.
Cheers!
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